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![]() ![]() Traditional “Only God Can Judge Me” Tattoosġ3. ![]() Script “Only God Can Judge Me” Tattoosġ2. Shoulder “Only God Can Judge Me” Tattoosġ1. Forearm “Only God Can Judge Me” TattoosĤ. Regardless of how you choose to wear this sacred and often misunderstood message, none but God can judge your decision. Perhaps you wish this message to be inked in unmistakable bold lettering, or conversely hidden in an inconspicuous nook that only your closest ones can view? Your tattoo artist will offer possible designs, as well as invite you to contribute your own personal interpretations. Listen to Only God Can Judge Me MP3 Song by 2pac from the album The Hate U Give (Original Motion Picture Soundtrack) free online on Gaana. Many choose to tattoo this phrase over their heart or along their shoulders in a kind of winglike fashion, mimicking the angels that carry such messages to mortals. We judge without knowing, a sin unto itself, and the one who chooses to tattoo “Only God Can Judge Me” onto his skin holds himself accountable to a higher power, and conducts himself accordingly. We judge them based on our own standards of success, decency, value, and good and evil. While at first glance this popular biblical-turned-hip-hop quote can make one seem flippant or unwilling to be held accountable for their earthly actions, the deeper meaning is quite simple: judge not, lest thou be judged in return.Įvery day we cast our judgement on others, often those whom we know little to nothing about. ![]() ![]() ![]() These disputes with Frederick Knight, a severe car accident Ward later was in, and the fading appeal of disco music halted Ward's career, and she came to be regarded as a one-hit wonder, the fate she originally feared. These songs were later included on low-budget compilations featuring Anita Ward's first album Songs of Love. A third disco album was in the works due to contractual issues between Knight and Ward, but was canceled after three songs had been recorded. The album, similar to Songs of Love, was disco-infused. The album, entitled Sweet Surrender, featured the minor hit "Don't Drop My Love", which peaked at #87 on the US Billboard Hot 100 chart. Ward released a second album that same year it was common in the 1970s to release albums several months apart. After the huge success of "Ring My Bell", "Make Believe Lovers", which was the b-side on most 12" singles for "Ring My Bell", was released, but it failed to chart. "Ring My Bell" has been remixed and released several times since its original release. The single reached number one in the United States, the United Kingdom, and Canada in 1979. The song, which was originally a juvenile-targeted tune about teens talking on the telephone, was rewritten with more 'adult' lyrics and the result was the single " Ring My Bell". Ward did not like the song, but Knight insisted that a dance track was needed to capitalize on the current disco trend, and Ward relented. While recording her debut album, record label owner Frederick Knight presented her with a song he had written the previous year for Stacy Lattisaw. Although Ward rarely recorded - she released a single in 2011 - she continued to perform into the 2010s.Before signing a recording contract, Ward obtained a degree in psychology from Rust College in Holly Springs, Mississippi, and had become a schoolteacher. They surfaced on various Ward anthologies released during the following decades. A few songs were recorded during sessions for a third album abandoned prior to completion. A subsequent single, "Don't Drop My Love" - taken from the quick-to-follow second album Sweet Surrender - peaked at only number 87. That summer, it topped Billboard's Hot 100 and remained on that chart for five months. It didn't take long for "Ring My Bell" to scale the charts. It resulted in a recording contract with the T.K.-affiliated Juana label, and the release of Ward's debut album, Songs of Love, in 1979. Recorded over the course of two days, "Ring My Bell" turned out to be the best track of the bunch. Still, she agreed to record it, with Knight providing most of the musical accompaniment. The song's original lyrics dealt with teens chatting away on the phone and even though Knight gave the track a quick lyrical overhaul, Ward was less than enthusiastic about the song. Knight signed on to help produce a three-song demo session with Ward, but once the tape was rolling, Knight became so taken by Ward's singing ability that the sessions soon produced an album's worth of material.Īfter listening to what they'd recorded, both agreed that they were still one song short, which resulted in Knight digging up an old track titled "Ring My Bell," which he had originally penned for a younger singer, Stacy Lattisaw (who would later score several hits in the early '80s). It wasn't long before Ward realized music was too much a part of her life to ignore, and her manager put her in contact with singer/songwriter Frederick Knight (who had scored a substantial hit in the summer of 1972 with "I've Been Lonely for So Long"). After graduation, however, Ward didn't set out to pursue a career in music and instead became a substitute teacher in the Memphis elementary school system. ![]() She went on to sing with the Rust College A Cappella Choir (which included recording alongside renowned Metropolitan Opera vocalist Leontyne Price), and recorded an obscure album with her own gospel quartet. Born on Decemin Memphis, Tennessee, Ward developed an interest in music - particularly gospel - at an early age. Singer Anita Ward is most well-known for her 1979 disco single "Ring My Bell," a number one pop hit in the U.S. ![]() ![]()
![]() ![]() I understand how under Hitler's dictatorship, the citizens had to follow orders, but his ascendancy came from a groundswell of public sentiment. Yes, it's entirely possible that many German soldiers had little choice but to serve. It's fine, suspenseful, gut-wrenching filmmaking, but its point of view left me confused. This lack of complexity prevents the film from truly soaring to another level. We delight in their playing soccer on the beach and we sympathize with them when they go without food. Instead, we learn of their post-war hopes and dreams of rebuilding Germany and getting on with their lives. I kept thinking how much richer this film would have been if some of the kids still espoused anti-semitic feelings or if we learned that some had committed crimes against humanity. Unfortunately, Zandvliet eschews this political conundrum in favor of the sentimental "people are people" theme. How can we reconcile our warm feelings for these kids knowing what their fellow soldiers, or perhaps even they themselves, did during the war? He even laughs when one of the soldiers, in a very movie star quality performance by Louis Hofmann, fakes him out with a bomb noise, which seems wildly inappropriate, but #gallowshumor, right? Rasmussen's mixed feelings echo the themes of the film. In others, the sergeant acts very tenderly towards his charges. In one scene, Rasmussen slaps the shit out of one of the kids, who seems to simultaneously laugh and cry over his beating. But man is it rough to watch a bomb tear apart a person. The seriousness of the subject matter and the fine performances all around, however, convinced me to stay. I almost walked out during several key moments, unsure that I could take it anymore. Because we know what lies beneath, it's impossible not to watch this film with at least one hand covering your face. Taking a page from Alfred Hitchcock's manual of suspense, Zandvliet builds intense dread as these kids crawl along the beach poking beneath the sand with sticks. Think of it as THE HURT LOCKER with lesser technology and more blonde hair. More on that later.įor much of the running time, we helplessly watch, knowing that at any moment a mine will surely explode. His lack of warmth feels appropriate considering the horrors the Nazis brought to his homeland, but the film keeps reminding us of the prisoners' innocence, or at the very least, their lack of ideology. He brutalizes and starves them while demanding they work faster and faster to defuse the mines. Carl Rasmussen (a very good Roland Møller), oversees a small troupe of mostly Aryan teenage prisoners. On a remote, sandy coastline, Danish Sgt. Writer/Director Martin Zandvliet, along with his cinematographer Camilla Hjelm bring a sweeping, widescreen beauty to this harrowing, deeply felt, excruciating story. Seriously? That's the sort of bad pun my readers have come to expect from my review titles, but its use here undermines a serious yet flawed piece of filmmaking. Originally called UNDER SANDET (translation: UNDER THE SAND), the story of post WW2 German soldiers held as prisoners of war until they can clear the mines they had planted along Denmark's west coast, the U.S. One of this year's Academy Award nominated Foreign Language films has repurposed its title for certain audiences and it has left me baffled. The Danish sergeant's way is to understand the past, and then to lock it away, never to be repeated, but the unknown factor is how many agree with him - then, or now.ĭAS HURT LOCKER - My Review of LAND OF MINE (3 Stars) And, if the method of clearing the mines was the forced labour of the enemy, in the form of half-starved, sick, scared and degraded teenagers, what guarantee is there even now that the beaches and the other minefields of Europe are safe? The film's ending, while appropriate to the story, leaves the questions open. The film begs the questions: what is the right punishment for an oppressor and how far down into the population should it have extended at what point is following orders a defence to war crimes how were these boys recruited or conscripted what would these boys have become, if Nazi Germany had prevailed what do they symbolise now. Bridging the two worlds is the boys' commandant, a Danish sergeant who carries out his orders, but with degrees of compassion. It depicts the vengeful Allies as little better than the enemy, when they are subjecting the boys to inhuman labour, starvation, beatings and humiliation. Its point is simple: this is no way to treat children regardless of how Hitler's Germany used them, or what they did in the war. Knowing that the key elements in this film will consist of German teenager POWs being forced to clear landmines, the brutal consequences are inevitable and there can be no mystery about what awful scenes it must contain. ![]() ![]()
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